Every road comic knows the frustration of leaving town with hours to spare only to find themselves stuck in traffic, construction or an airport for a rediculous amount of time. On the road, time is your enemy and technology is your friend. We discuss some of our favorite travel apps. We also discover a few new…
by Rik Roberts (www.SchoolOfLaughs.com) Performing stand-up comedy is one of the most exhilarating jobs on the planet. However, the job of the emcee (or host, or as they say across the pond “compere”) is often overlooked. I am here to tell you that having a great host can make a bad show good, and a…
Great comedians come in all shapes and sizes. And they all excel in one or more of these “traits of the comedy greats.” Some combine three or more traits, while others get by with just one or two. What traits are we talking about? Brilliant Material Ability to connect with an audience Perseverance Unique Delivery Sharp Comic…
Understanding your value is the only way to be confident in charging a “full fee” for your show. In the comedy clubs, you have very little (if any) leverage. You are told what they have to pay and you take it or leave it. Check out this episode! If you are pursuing corporate, fund raiser,…
by Rik Roberts (www.SchoolOfLaughs.com) Are you in the middle of nowhere? Are you miles from a city with a comedy night, let alone a comedy club? Do you want to start putting shows together to get some stage time? You are not alone, even though you may feel isolated. Joshua, a podcast listener from Iowa,…
– Rik Roberts | www.SchoolOfLaughs.com Every performer will have to deal with a “tough” crowd from time to time. It’s part of the job, part of the learning curve, and part of the fun. Let’s dig into how you can dig out of a tough audience. I’m going to eliminate from this discussion the tough…
Defining your goals is extremely important in any self-driven profession. In stand-up comedy, defining your comedy goals will set you apart from a large mass of aimless souls. Goals in and of themselves won’t make you funnier than anyone else. But they should make you funnier than you are now if you set them correctly. Without…
How often should I be working in new comedy material on stage? by Rik Roberts (www.SchoolOfLaughs.com) This is a GREAT question that I received twice last week. It came from both an established feature act, and a brand new aspiring comedian. As you might expect, there is no “one size fits all” answer. Some will…
Do you struggle with memorizing your jokes? Have you ever had problems with your voice during a show? What are the pros and cons of using props or musical instruments on stage? In this “after-school special” recorded with students from the writing class in Nashville, we discuss several techniques to help you tie your jokes together.…
Last week we identified a few questions to ask yourself before you think about pursuing the corporate comedy market. Including, Can I be dependable, professional and flexible? Can I put the needs of the client ahead of my desires for a laugh? Am I willing to dress sharp? Do I have a show that is not…